{"id":93194,"date":"2016-05-17T07:08:10","date_gmt":"2016-05-17T05:08:10","guid":{"rendered":"https:\/\/gerdtestpress.online\/?guid=c46699ab5123d1562977420e66619efa"},"modified":"2016-05-17T07:08:10","modified_gmt":"2016-05-17T05:08:10","slug":"in-pop-culture-the-future-is-almost-now-good-point-on-science-fiction-movies","status":"publish","type":"post","link":"https:\/\/futuristgerd.com\/es\/2016\/05\/in-pop-culture-the-future-is-almost-now-good-point-on-science-fiction-movies\/","title":{"rendered":"En la cultura pop, el futuro es casi ahora - buena observaci\u00f3n sobre las pel\u00edculas de ciencia ficci\u00f3n"},"content":{"rendered":"<div>\"Muchas de las nuevas obras de ciencia ficci\u00f3n parecen representar una corriente de cine preapocal\u00edptico, caracterizado por la voluntad de dramatizar desastres que son menos hipot\u00e9ticos que a punto de ocurrir\".<\/p>\n<p>En la cultura pop, el futuro es casi ahora<br \/><a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2016\/05\/the-future-is-almost-now\/482718\/\">https:\/\/www.theatlantic.com\/entertainment\/archive\/2016\/05\/the-future-is-almost-now\/482718\/<\/a><br \/>v\u00eda Instapaper<\/div>\n<div><\/div>\n<div>\n<div class=\"posthaven-gallery\" id=\"posthaven_gallery[1059035]\">\n<p class=\"posthaven-file posthaven-file-image posthaven-file-state-processed\">\n          <img decoding=\"async\" class=\"posthaven-gallery-image\" src=\"https:\/\/phaven-prod.s3.amazonaws.com\/files\/image_part\/asset\/1708248\/je32NuZgbd5L0rZq2dcm4rJNavU\/medium_image1.JPG\" \/>\n        <\/p>\n<\/p><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<div>\"Muchas de las nuevas obras de ciencia ficci\u00f3n parecen representar una corriente de cine preapocal\u00edptico, caracterizado por la voluntad de dramatizar desastres que son menos hipot\u00e9ticos que a punto de ocurrir\".<\/p>\n<p>En la cultura pop, el futuro es casi ahora<br \/><a href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2016\/05\/the-future-is-almost-now\/482718\/\">https:\/\/www.theatlantic.com\/entertainment\/archive\/2016\/05\/the-future-is-almost-now\/482718\/<\/a><br \/>v\u00eda Instapaper<\/div>\n<div><\/div>\n<div>\n<div>\n<p>\n          <img decoding=\"async\" src=\"https:\/\/phaven-prod.s3.amazonaws.com\/files\/image_part\/asset\/1708248\/je32NuZgbd5L0rZq2dcm4rJNavU\/medium_image1.JPG\"><\/p>\n<\/p><\/div>\n<\/div>","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_analytify_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[620,880,27],"class_list":["post-93194","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-digital-ethics","tag-future-of-ethics","tag-gerd-leonhard","masonry-post","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-33"],"acf":[],"_links":{"self":[{"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/posts\/93194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/comments?post=93194"}],"version-history":[{"count":0,"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/posts\/93194\/revisions"}],"wp:attachment":[{"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/media?parent=93194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/categories?post=93194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/futuristgerd.com\/es\/wp-json\/wp\/v2\/tags?post=93194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}